家居裝潢

【輕裝潢相關資料】很舒服的國外設計案例

  

  Akurat Studio,是波蘭的沿海城市格但斯克一家獨特的設計工作室。最初由設計師Maciej Ryniewicz和他的搭檔Rafał Kaletowski共同成立於2016年,自2022年起,Maciej Ryniewicz便開始獨立主持和運營該工作室。

》裝潢參考資料:狸樂趣預售屋客變:

  Akurat Studio is a unique design Studio in the coastal city of Gdańsk, Poland. Founded in 2016 by designer Maciej Ryniewicz and his partner Rafał Kaletowski, Maciej Ryniewicz has been running the studio independently since 2022.

  

  

  Akurat Studio的名字來源於拉丁語的「Accūrātus」,意思為 「精確、細致、謹小慎微」。表達了工作室成員對待工作的熱情和態度,他們認為這些關鍵因素最能影響項目的設計過程和整體的設計方法。

》裝潢參考資料:小樂良駒-居家軟裝設計裝修的租屋改造術:

  Akurat Studio’s name comes from the Latin “Accūrātus,” which means “precise, meticulous, and discreet.” It expresses the passion and attitude of the studio members towards their work, and they believe that these key factors can most influence the design process of the project and the overall design approach.

  

  

  該工作室專注於家具產品、建築和室內設計以及平面視覺與品牌推廣,這種一應俱全的涉及和工作方法使他們的作品更具原創性。Akurat Studio熱衷於與有著共同價值觀的業主合作,他們始終相信設計的力量能產生多層次的影響,並且他們充分的意識到每個新項目都是一種學習和發展的機會,所以始終都抱有謙遜的求知欲。

》裝潢參考資料:樂厝自地自建:

  The studio specialises in furniture products, architecture and interior design, as well as graphic vision and branding. This all-encompassing approach and approach makes their work more original. Akurat Studio is passionate about working with clients who share the same values. They always believe in the power of design to have a multi-layered impact, and they are fully aware that every new project is an opportunity for learning and development, so they always have a humble curiosity for knowledge.

  

  

  Maciej Ryniewicz畢業於格但斯克理工大學建築學院,是一名擁有極強自學能力的平面設計師和室內建築師。作為一個懷揣著理想的設計師,他嚴於律己,並對事物保持著懷疑的態度,而這種信念也是他原始的動力來源,同時促使他找到各種設計問題的獨特和最佳解決方案。在他看來,「風格」不一定是與純粹的美學體驗相關,也可以體現於工作的方式方法上。

  Maciej Ryniewicz graduated from the Faculty of Architecture, Gdansk Polytechnic University. He is a graphic designer and interior architect with strong self-learning ability. As a designer with an ideal, he is self-disciplined and skeptical, and this belief is his original source of motivation, as well as prompting him to find unique and optimal solutions to various design problems. In his opinion, “style” is not necessarily related to pure aesthetic experience, but can also be reflected in the way of work.

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